APR LEGALVERSION 2 · 2026
Reach without shortcuts.
Human curation. A linear signal. Real listener reactions. Transparent attribution. Verifiable observations.
Real listenersNo music uploadsNo bots
AI Playlist · operating principles
Music moves. Rights remain.
APR is built to give music more reach without turning radio into downloads, bot traffic or artificial demand. Our standard is simple: real programming, real listeners, transparent signals and respect for every layer of music rights.
APR LEGALVERSION 2 · 2026
What APR actually does.
AI Playlist combines human curation, a continuous radio signal, listener reactions and verifiable Proof of Airplay. It is a discovery layer around music — not a file locker, download service or artificial streaming operation.
Join what is playing now.
The listener joins a continuous, programmed radio signal. Tracks are not offered as selectable, skippable, on-demand files.
Links and metadata — never audio files.
Artists pitch public track references and written context. APR does not ask artists to upload masters and does not offer music downloads, extraction or archival copies.
Human reactions, not manufactured activity.
APR does not sell fake listening, bot traffic or automated reactions. Listener activity is used to improve discovery and editorial understanding, not to manufacture platform metrics.
Every signal points back to the music.
Now-playing information, artist names, playlist provenance and direct music links help listeners find the track, artist and curated context behind each play.
Clear boundaries make a better product.
The simplest way to understand APR is to separate discovery infrastructure from the rights and services that surround it.
APR is
- A human-curated AI music discovery network
- A continuously programmed radio experience
- A pitch and professional-feedback service
- A source of APR-observed airplay and listener data
APR is not
- A file-upload, extraction or download service
- A seller of streams, likes or playlist outcomes
- A copyright registry or ownership tribunal
- A public claims desk or dispute-resolution agency
Our rights position.
A song can involve separate rights in composition, lyrics, recording and performance, and the applicable requirements may vary by territory. APR does not claim ownership of the music it helps listeners discover.
Our position is that every creator, performer, recording owner and other entitled party must receive the rights, attribution and remuneration due under applicable law and agreements.
The signal creates reach. It does not erase rights.Required licences, reporting and remuneration obligations must be identified and handled for the relevant use, service model and territories.
Submitting a pitch, appearing in a playlist or being played on the radio does not transfer the artist’s or rights-holder’s ownership to APR.
APR documents its own signal and operating terms. It does not accept competing ownership registrations or act as a copyright court, collecting society or public dispute-resolution agency.
Proof of Airplay proves the signal — not ownership.
APR Signal Ledger turns radio events and listener reactions into timestamped, cryptographically verifiable snapshots. The ledger is evidence of what APR observed; it is not a copyright registry, collecting-society report or ruling on ownership.
What becomes verifiable.
Track identity, playlist provenance, observed radio plays, listener likes, batch time and verification hashes can be included in a sealed snapshot.
What never belongs in public proof.
Email addresses, pitch texts, payment details, raw IP addresses and private contact information are excluded from public ledger proofs.
Submissions, purchases and privacy.
The shortest useful version of the terms is below. Information shown at checkout, in the order confirmation and in a specific submission flow forms part of the applicable agreement.
A submission creates an editorial application, not a promise of placement, airplay, timing or feedback. The submitter must be authorised to share the supplied information.
The paid service purchases a defined human review, scorecard, written feedback and response target shown at checkout. Payment does not purchase editorial placement. Price, currency and taxes are presented before payment. The contracting seller details must accompany the order and receipt.
When the separate consent is given and a submission is approved, factual parts of the artist’s pitch may be converted into short radio facts. Full pitch text and contact data are never published.
APR processes data needed to operate the radio, secure the service, handle submissions and purchases, measure performance and answer requests. Access is limited and data is retained only as long as operational, contractual, accounting, security or legal needs require.
Where applicable, a person can request access, correction, erasure, restriction, portability or object to processing. Identity may need to be verified before private data is disclosed or changed.
APR works for high availability but cannot promise uninterrupted access. External music, payment, connectivity, social and blockchain services remain subject to their own availability and terms.
A deliberate boundary
APR is not a public claims agency.
This site explains the service and its operating terms. It does not run an ownership-claim portal, accept competing title registrations or adjudicate copyright disputes. Service, purchase and privacy communication follows the support route supplied in the relevant submission, checkout or confirmation.
Authoritative reference points.
APR’s policies are informed by the organisations and public rules relevant to music use, consumer purchases and personal data in Sweden and the European Union.
Last updated 23 July 2026. This page is a readable public overview of APR’s operating terms and positions. It does not replace mandatory law, the terms shown for a specific purchase or submission, or a separately signed agreement.